The
Urchin in
Still
the din dashes about in his dreams
now louder in the spaced quiet:
an occasional auto-rickshaw backfiring revving
spluttering
too close for chancy comfort
some blaring tv hoisted above
craning necks
Over the squeezed out crackling mud sidewalk
his head buried in the crook of his charred bony arm
his right elbow crusted in a masked eye-pattern
his left spindly leg knotted at the knee
jauntily splayed in a triangle on his right
the mud-soaked sole inturned at
the angle
as if to cushion the prickly grains on bare scorched skin
a defensive gesture against cold dust
wind noise pain
the slight lukewarm breeze lifting from the Marina Beach
teasing the settled dust
the strangled pores
he had for a blanket
Through the dropped jaw rosy-pink at the bled bitten lips
his breath wheezed through stained craggy teeth
his broken nose stopped by blobs of bloody phlegm
a hovering fly or two keeping undisturbed guard
His hair streaked in plaited dusty strands
lost
in the sidewalk's trampled mud
On his loins some tortured rags bound at the hips
bulged at the dryblown stomach
the nombril unfurled like a
budding ear
to where the hardly heaving contorted ribs
held the will to awaken
the evaporating carcase of a steamy engine at the works
He woke to the mocking streaking laughter of the magpie
calling out to its mate across the slipping concave-tiled roofs
across the dense mango green weighted clusters
where they had slumbered for the night
to the mangy scavenger dog digging
its nozzle in the splodges
of decomposing leaves paper
and tins larded with leavings:
turds dung urine phlegm and menstrual foam
that the parched earth gulped during the day
to the bluebottles festering on the peeled shin-bone
to the hordes of tinkling bicycles piercing his unquiet drums
to the buses and taxis top-heavy creaking and near toppling
and the sharp clipped voices of servants
urgently preparing the exit of their master
in a polished limousine through laundered lawns
Some fifty yards away across the road
a low saffron roofed-box of a stone shrine
lay crushed and sagging on the tarmac against the mud-sidetable
from which sprawled the scaly frame of a tree
the garland of mallikai on the dark stubby slippery shrine
of a squat Ganesha
a hardly-flickering oil-wick open trough-lamp lighting
limply
other framed coloured pictures of Ganapati
two half-empty troughs of kunkunum and vibhuti
on the half-opened cicatrised shrine gate
traces of twirls of white chalk on the road
reminders of mandala and
disrespectful feet
a bleak reminder to the departed donor's culpability
To the boy now awakened
looking through dazed poolai-stuck eyes
the obeisances of hurrying office-workers
and the coins they reverently pressed in a cement platter
at the saffron-robed shrine's feet
strewn
with fading frangipani
and shrivelling kernel in split coconut-halves
all these were on a reel spun high on a screen
the lad could neither fear
nor partake of the proferred
fare
his Right was his right hand
stretched long but never touching
the deadened fury of his looks
softened only by the lowered eyes
The day was long or short
depending on his cavernous gastric growls
and according to how he laid himself out in some public
place
to shut the important world of poets and politicians
shout-shooting around him
into the Twenty-First Century
towards wild parties and fun-conferences
to shore up their sagging petty images
to bombs and cars that fly
to other worlds won on stars
to shrines adorned like filmstars
and filmstars adorned like shrines
Just a
privileged lingerer
allowed to watch a while
behind burning fearful eyes
that dreamt of steamy coco-shavings-crusted puttu
a second stomach thunderbread and chapati
ladiesfingers and drumsticks
pumpkin in hot sambar
stringhoppers in coti
masala tosai
and a tumbler of buttermilk
©
T.Wignesan 1993
[from the collection: back
to background material, 1993]
Notes
2.Kuyil:the Indian cuckoo,
either black or striped, known for its song and for its revered place in Indian
traditional poetry.
3.splodges: a blend of
"splotches" and "lodges", meaning a great heap of splotches
4.kunkunum and vibhuti: Hindus streak their faces with these powders
either for customary or religious reasons
5.poolai: rheum in the
eyes
6.puttu, sambar, coti, masala
tosai: Indian Tamil cuisine, usually
taken as part of
breakfast